My sincere apologies for the delay!
Having been debating with myself in my head for far too long, my phenomenonal questions are :
1. What is the purpose of awarding impersonation contests if prizes are meant to distinguish outstanding achievements?
2. What then, is the criteria of judging individuals who are trying impersonate another, when no two persons are alike in this world?
This irony and contradiction can be exemplified through an example, Cody Ray Slaughter, the winner of Ultimate Elvis Tribute Artist Contest (UETA) 2011. He looks nearly 95% like Elvis Presley, and will be performing in various concerts world-wide, riding on the fame he gained from his looks. On the other hand, Denise “Bella” Vlasis, a successful impersonator, is successful in life not only because of her being a Madonna look-a-like, but is more successful due to her own capabilities in writing books, and setting up Tribute Productions, ironically, thrives on booking celebrity Look-A-Likes for events.
How were they judged to win the contest? It seems it isn't as simple as physical uncanniness (which some use to their advantage for fame), but also their authenticity- the extent to which they are true to their own personality, as well as the extent they are similar to the character of the person they are impersonating, such that they are able to outshine the others who may also be close Look-A-Likes. Another contradiction out of a distinction here... ;P
Would love to hear comments! :D
Prizes and Pop Culture
Sunday, March 18, 2012
Wednesday, February 15, 2012
Lens Question - Comparing Macdonald's and Hairspray
Whereas Macdonald perceives Mass Culture as one where everyone becomes increasingly similar in preferences with one another, hence there is no need for prizes in a bland society, Hairspray shows us that Mass Culture prizes distinctions and could be encouraging changes in society instead.
To develop this comparison, we consider how Macdonald perceives Mass Culture to bring about a ‘homogenized culture’ and cause the growing existence of the Mass man in the ‘lonely crowd’, hence there could be no need to establish a prize as there are little or no cause for recognition of individual talents. On the other hand, using Tracy Turnblad in Hairspray as the epitome of change, and the use of prizes, in this case, Miss Teenage Baltimore to celebrate differences in American society’s preferences and norms, we can determine if Macdonald's definition of Mass Culture is indeed what he has led us to believe.
To develop this comparison, we consider how Macdonald perceives Mass Culture to bring about a ‘homogenized culture’ and cause the growing existence of the Mass man in the ‘lonely crowd’, hence there could be no need to establish a prize as there are little or no cause for recognition of individual talents. On the other hand, using Tracy Turnblad in Hairspray as the epitome of change, and the use of prizes, in this case, Miss Teenage Baltimore to celebrate differences in American society’s preferences and norms, we can determine if Macdonald's definition of Mass Culture is indeed what he has led us to believe.
Thursday, January 12, 2012
Reflections on Kathryn Bigelow
The intention of the author, who is a female herself, is to show Hollywood is biased towards productions by males. However, she does this in a unique and contradicting manner, where she starts off the article criticizing the prize owner, who is a female, but ends off with her disapproval of Hollywood that 'preserves the hierarchy of men above women'. One would have expected her to support the prize being awarded to a woman, as she would have liked to see, but later on, we realise she disapproves because she feels the award recipient, Kathryn Bigelow, is not feminine enough. The author even says that Bigelow was 'masquerading', and should be dubbed a 'transvestite', showing the author's impression of Bigelow possibly having stronger masculine characteristics, underneath a female exterior. Hence the author does not consider that Bigelow is being wholly appreciated for her status as a successful female in the male-dominated industry, rather, she is awarded for the capabilities ascribed to men that she possesses. Nevertheless, I feel that for an audience that focuses on the gender and not degree of masculinity of the recipient, this could be a start for the introduction of more females as awardees in future. Just as how people are becoming more familiar with females in various male-dominated industry, this could also happen in Hollywood's war movies.
To add on, another aspect worthy of further reflection is the author's views that American war films have played down and 'falsified the Iraq experience'. An additional reason why she is unhappy with Bigelow winning the award is because she won with a film that aggravated undesirable consequences. The author feels that the Americans 'field of vision is so completely limited' as a result of these films that portray a unrealistic image of American presence in Iraq, and they are unable to see the true negative and lasting impacts of war.
This article hence deepens my understanding towards the motivating forces behind prizes- that is, it is driven by preferences, needs and wants that consumers have. What they hope to see, will be what producers, of films in this case, seek to provide them with. Prizes are bonuses, awarded to people that have aligned their products with what consumers want. Regardless of the degree of their masculinity or feminineness, or where the producer's strengths lies, as long as it meets consumers' demands- as it is with preference of militaristic films, they will be rewarded with a prestigious prize. This then brings up another question- how then, did consumers end up having such preferences?
To add on, another aspect worthy of further reflection is the author's views that American war films have played down and 'falsified the Iraq experience'. An additional reason why she is unhappy with Bigelow winning the award is because she won with a film that aggravated undesirable consequences. The author feels that the Americans 'field of vision is so completely limited' as a result of these films that portray a unrealistic image of American presence in Iraq, and they are unable to see the true negative and lasting impacts of war.
This article hence deepens my understanding towards the motivating forces behind prizes- that is, it is driven by preferences, needs and wants that consumers have. What they hope to see, will be what producers, of films in this case, seek to provide them with. Prizes are bonuses, awarded to people that have aligned their products with what consumers want. Regardless of the degree of their masculinity or feminineness, or where the producer's strengths lies, as long as it meets consumers' demands- as it is with preference of militaristic films, they will be rewarded with a prestigious prize. This then brings up another question- how then, did consumers end up having such preferences?
Wednesday, January 11, 2012
Reflection on “For Putin, a Peace Prize for a Decision to Go to War”
I found it disheartening that human rights abuses occured as a result of the Chechnya war, and even more so that Putin, the deciding factor that led to the war, earned a peace prize for a decision that brought about harm to the innocent. However, what is more perturbing is the calibre of the Confucius Peace Prize committee members. Since their votes and opinions would directly affect the eventual prize winner, it seems to be the case that the quality of these members are to be doubted. Given that the President, Qiao Damo was self-described as the co-founder, and with another committee member, Mr. Kong Qing Dong, who is also famously known for cursing in public, and not to be left out- Liu Haofeng, who has split off from the Chinese group to work with the Americans instead. It could also be possible that the Confucius Peace Prize could just be a form of retaliation of the authorities towards Liu Xiao Bo's Nobel peace prize, which had met with strong opposition from the Chinese government when he was awarded. With the credibility of the Committee members diminished, this leaves much to be debated as to whether the prize still carries along the prestige and 'celebration of righteousness' it initially intended.
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